The Things They Carried
A Work of FictionBook - 2010
A classic, life-changing meditation on war, memory, imagination, and the redemptive power of storytelling, with more than two-million copies in print
Depicting the men of Alpha Company--Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O'Brien, who survived his tour in Vietnam to become a father and writer at the age of forty-three--the stories in The Things They Carried opened our eyes to the nature of war in a way we will never forget. It is taught everywhere, from high school classrooms to graduate seminars in creative writing, and in the decades since its publication it has never failed to challenge our perceptions of fact and fiction, war and peace, and courage, longing, and fear.
From Library Staff
LPL_PolliK Sep 26, 2017
Born during this "conflict", it has always loomed large in my consciousness. I've watched many films depicting the war in Vietnam, but this was the first novel. The writing is concise and expertly chosen. O'Brien, a veteran of this war is writing fictionalized truths about his experien... Read More »
From the critics
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“They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.” - p. 14
“A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.” - pp.65-66
“For the common soldier, at least, war has the feel - the spiritual texture - of a great ghostly fog, thick and permanent. There is no clarity. Everything swirls. The old rules are no longer binding, the old truths no longer true. Right spills over into wrong. Order blends into chaos, love into hate, ugliness into beauty, law into anarchy, civility into savory. The vapors suck you in. You can’t tell where you are, or why you’re there, and the only certainty is overwhelming ambiguity.” - p. 78
“For Rat Kiley, I think, facts were formed by sensation, not the other way around, and when you listened to one of his stories, you'd find yourself performing rapid calculations in your head, subtracting superlatives, figuring the square root of an absolute and then multiplying by maybe.” - pp.85-86
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