Novels, 1930-1935

Novels, 1930-1935

Book - 1985
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Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America's finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.

As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.

Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.

Light in August (1932) incorporates Faulkner's religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry--all find their lives entangled in the inexorable succession of love, birth, and death.

Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called "the human heart in conflict with itself," it illustrates how he became one of the great humanists of twentieth-century literature.

The Library of America edition of Faulkner's work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner's intentions.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Publisher: New York : Library of America : Distributed to the trade in the U.S. by Penguin Books, c1985.
ISBN: 9780940450264
Branch Call Number: FAULKNER
Characteristics: 1034 pages ; 21 cm.


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Apr 07, 2018

I've always thought the brilliance of Sanctuary was in the notion of justice - in other words, that there isn't any. As you say, wild and cruel and gruesome, but it doesn't ring false - certain characters behave abysmally and grow to be pillars of the community, and where justice is meted out, it's offhand - a precursor of the scene in No Country For Old Men that shocks us all.

Apr 05, 2018

I read only "Sanctuary" and "Pylon" from this edition, because its the only edition of these books held by the library at the moment (the other two were read in other editions).
Pylon is an odd, rather un-Faulknerian book, in that the characters and their doings seem to be without rhyme or reason (in Faulknerian terms, this means both a history and a family history) - like they're trying to fly without wings. There are exquisite poetical passages, mostly at the beginning and end of the chapters. The characters, two hustler-flyers, a floozy-like woman, and a drunk reporter, are always acting but don't develop much. There a hint of redemption (but only for a young boy) at the end.
Sanctuary is a wild, cruel, and gruesome story. Consider yourself warned.


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